NIGHT DANCES

NIGHT DANCES
6 Songs for Soprano and Piano
on Poems by Elizabeth Bishop, Emily Brontë, Emily Dickinson, and Edna St. Vincent Millay

Publisher
E. C. Schirmer Music Company

Catalog Number
8593

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Classical Vocal Reprints
E. C. Schirmer Music Company
J. W. Pepper
Music Shop Europe
Presto Sheet Music
Sheet Music Plus
Stretta Music
Theodore Front

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Description
NIGHT DANCES shines a light on what night brings, from the sounds of a cricket singing to the image of a spider sewing a web, exploring the sounds and sensations of nightmare and insomnia, luxuriating in a lullaby bringing peace to a baby amid a storm at sea, and a final plea for music, that magic melody that soothes the soul, bringing with it rest and the peace of dreams.

Text
1 – The cricket sang  (Emily Dickinson)
2 – Some Things Are Dark  (Edna St. Vincent Millay)
3 – Song  (Emily Brontë)
4 – Sleep, mourner, sleep!  (Emily Brontë)
5 – A Spider sewed at Night  (Emily Dickinson)
6 – Sonnet  (Elizabeth Bishop)

Vocal Range
G 3  :  B 5

Duration
13′ 00″

Vocal Tessitura
E 4  :  E 5

Commission
Schubert Club
Saint Paul, Minnesota

First Performance
December 8, 1987
McKnight Theatre
Saint Paul, Minnesota

Year of Composition
1987

First Performers
Dawn Upshaw, soprano
Margo Garrett, piano

Reviews
“By the time [Dawn Upshaw] sang her encore Saturday at the Library of Congress…she had given a breathtaking display of virtuosity in ‘Night Dances,’ a brilliant cycle of songs…whose composer, 30-year-old Juliana Hall, used every trick in the book—melodic and half-spoken, tonal and nontonal…to deepen the impact of the texts dealing with night and sleep, to explore the implicit emotions in sounds that ranged from a whisper to a scream, with the piano supplying illustrations and comment and engaging in vivid dialogue.”

– Joseph McLellan
   The Washington Post

“The tonal language is adventurous, and Hall’s text setting is spot on and exquisite, even when she elevates the text to the vocal stratosphere…In these songs, as in all of Juliana Hall’s wonderful creations, the composer has sensitively allowed the text to dictate the tonal palette and direction.”

– Kathleen Roland-Silverstein
   NATS Journal of Singing

Listen
Dawn Upshaw, soprano
Margo Garrett, piano